AND YOU AND I
A Commentary on Yes’ 1972 Masterpiece
© 2001 The
Church of Yahweh
A man conceived
a moment’s answers to the dream.
Staying
the flowers, daily sensing all the themes,
As a foundation
left to create the spiral aim,
A movement
regained and regarded both the same,
All complete,
in the sight of seeds of life with you.
Changed
only for a sight of sound the space agreed
Between
the picture of time, behind the face of need
Emotion
revealed as the ocean maid
Coming quickly to terms of all expression
laid
All complete
in the sight of seeds of life with you.
Coins and
crosses never know their fruitless worth,
Cords are broken,
locked inside the Mother Earth,
They won't
hide, hold they won't tell you
Watching
the world, Watching all of the world, Watching us go by.
And you and
I climb over the sea to the valley,
And you and
I reach out for the reasons to call.
Coming
quickly to terms of all expression laid,
Emotion
revealed as the ocean maid.
As
a movement regained and regarded both the same,
All
complete in the sight of seeds of life with you.
Sad preacher
nailed upon the color door of time,
Insane
teacher be there reminded of the rhyme,
There will
be no mutant enemy we shall certify,
Political
ends as sad remains will die,
Reach out
as forward tastes begin to enter you.
I listened
hard but could not see life tempo change out, and inside me.
The preacher
trained in all to lose his name,
The teacher
travels asking to be shown the same.
All complete
in the sight of seeds of life with you.
Coming
quickly to terms of all expression laid,
A
movement regained and regarded both the same.
Emotion
revealed as the ocean maid.
A clearer
future, morning, evening, nights with you.
And You and I climb crossing the shapes
of the morning,
And You and I reach over the sun for
the river,
And You and I climb clearer towards
the movement,
And You and I call over valleys of
endless seas.
This piece of
music, very simply put, is about Jesus and our relationship to him. Some of you may scoff, but there is no other
rational or reasonable interpretation, based upon the simple objective evidence
of the lyrics themselves.
This is a
song about a man, a song about a preacher, a song about being nailed upon a
door of time, about accepting, immortalizing and divinity. It is a song about travel, beyond your
limited space time consciousness. It is a
song about salvation--salvation of the soul, not just from what we might call
hell and not going to the good place when you die--but salvation from all of
the sadness, darkness and stupidity of our lives.
Why does the
song's title start with the word "and"? I do not know! What did Jon Anderson have in mind when he
wrote that title. I have never sat down
and talked to Jon Anderson about it, so I do not know. The best answer I can give you is to look at
the back of the album cover,. Thereon
you will see, lined up right underneath one another, two phrases: “close to the edge,” “and you and I.” That makes sense.
Close to the
edge, and you and I. The entire album is
about being close to the edge--about being near to God. Here, we are going to encounter an
incarnation of God. Perhaps THE
incarnation of God.
Because it is
not enough for truth to remain truth.
Truth must come to the level of common ordinary mortal human beings, or
those common ordinary mortal human beings will never be able to understand
it.
There’s a
marvelous analogy of a human being watching an ant farm, wanting to talk to
talk to the ants. Thinking how wonderful
it would be if only he could become an ant and retain all of his knowledge. How much he could teach the ants, and how the
ant colony would become transformed.
This is a
song about Jesus, and You, and I.
“The
dream” What is “The dream?” This is the key factor in this verse.
One of the constant
factors in mystical religious material across all generations, across all
centuries and across all religions is the notion that the universe is God's
dream, and that we all live our lives in that dream. For those of you who scoff, the Bible itself
is clear about this. Before he creates
the temple in the book of Exodus, Moses is taught by YHWH how to build it. YHWH shows him the real temple, the temple in
Heaven, and God tells him to make the earthly temple as a copy of the real
temple. In 1 Corinthians, St. Paul talks
about how we now see through a glass darkly, as though we are peering through
the fog and cannot truly see the real picture of truth or God. Eventually we will see him--God, face to
face. It's just like being in a
dream.
Formerly, we
were dead in our trespasses and sins, but now we are alive. That is a more powerful image than the notion
of a dream. To be dead and become alive
is very similar to being asleep and becoming awake.
Gautama
Buddha and Buddhism doesn't use the dead and alive terminology, but use the
asleep/awake terminology. This is a very
important. The dream is God's dream, in
as much as he is projecting upon the vast countenance of himself, the entire
universe, and all aspects of the universe are images which dance upon the face
of God, but we are all individually asleep and dreaming. We are dreaming, because we are caught in our
delusions and our ignorance and our own projections. Socialism, taxation, Satanism and all of the
world's evils are simply dreams of ignorance with which we can cover the true
face of God and the truth of the blissful brotherhood of all mankind. We live, as it were, in a dream.
We have all
had the experience of mortal dreams, and sometimes we wake up in the morning,
after a particularly vivid dream, and say, "What did that mean? What is the purpose of that dream? Why in the world did I dream that?" So we seek answers. People spend millions of dollars every year
on books to help them interpret their dreams. The Bible is full of people who
find great meaning and God's revelation through their dreams. We need look no farther then the book of
Daniel to see how dreams and their proper interpretation altered the course of
mankind. The interpretation of dreams is
even listed in the New Testament as being one of the holy gifts of God's holy
spirit. So to discount your dreams, is
to buy into the entire materialistic age.
Dreams are important. Dreams are
a truth. Dreams are a proclamation from
God. There is a reason why you dream
what you dream, and you might be wise to keep a dream diary and to pay
attention to your dreams.
The dream, is
God's dream, because God, too, is dreaming.
This part of the lyric tells us that “a man conceived a moment’s answers
to the dream." A man, and it is
very clear that this person is a man, recognizes within this time and space,
within this moment, the answer to the dream, not the ultimate eternal answer to
the dream, as though there could be one, for the same dream dreamt five times
in a row does not necessarily have the same meaning.
Each moment
must be analyzed and interpreted by itself.
Therefore, we see an important religious principle. How do we tell the difference between God's
temporal revelation (within this particular time and at this particular place)
versus God's eternal limitless spiritual revelation.
For example,
in the New Testament, St. Paul says very clearly, "Any woman who prays
without having her head covered should have all of her hair shaved
off." St. Paul also says in the
same book of the Bible, "Homosexuals will have no place in the Kingdom of
Heaven." For any thinking rational
human being, there is one very simple question that we must ask ourselves. If we are comfortable saying that the first
proclamation regarding a woman's hair is a temporal proclamation, based upon
the culture and norms of that time in that place, upon what rationality or
criteria do we state that the prohibitions against homosexuality are not
likewise limited only to that time and that place?
Please note
that I am not deliberately intentionally espousing homosexuality. The question is rather an academic one as to
how we interpret the difference between temporal truth and eternal truth? How we judge and what criteria we use to
determine those things which God is telling to us here and now, that is the
moment, and those things which remain true across all generations.
All of this I
see within this simple verse. A man, a
human being, living, breathing, eating and excreting, waking and sleeping,
conceived within his mind a moment’s answers to the dream, for this time, this
place, here and now.
This tells us
more about the man, because this entire song is about the man. The word "you" in the title refers
to the man.
To stay the
flowers means many things. What is a
flower? The wonderful thing about a
flower is that a flower is the beginning of fruit, and from the fruit, comes
the seed to reincarnate the entire planet.
I live on a hill full of orange trees.
In the early spring when those trees begin to flower, the radiant
fragrance of the orange blossoms fills the entire hill. There are very few smells in the universe that
are more glorious. Every single one of
those flowers is a future orange, and inside of that orange will be seeds which
are capable of dying, entering the ground and growing up to become new trees
that begin the cycle again, flowering, producing fruit and bearing the seeds of
life.
Nature does
indeed give us a glorious parable of all of God's truth. This man, who stayed the flowers, held on to
them, kept them constant, felt them, made them real. He saw those aspects of life which contained,
as do flowers, the potential for the seeds of all regeneration.
And he also
daily, which means every single moment, sensed all of the themes. Jon Anderson regularly refers to the truth of
God as a song. You see this very clearly
in “Close to the Edge,” in “And You and I.”
It is very clearly apparent in “Tales from Topographic Oceans,” where he asks what happened to this
song we once knew so well, all the way up into “Awaken,” where he talks about
the star song, ageless. The word of God
only has to be placed to music to become the song of God, and these melodies
become the themes--the themes of truth upon which are based all reality.
Anyone who
has read more than just a little bit of my writing, understands that it's based
upon a certain small, but potent, number of themes. Just as a symphony, beautifully constructed
is an artistic flourishing of a small number of themes, so too the Bible and
these songs that we are talking about and my humble writing are all based upon
a small number of themes. I will leave
it to you for the moment to determine exactly what those themes are.
What is
important here is that this man, who can hold onto the very flowers of life
daily, moment by moment, each and every day, senses all of the themes which
make life true--the themes of love, the themes of thankfulness, the themes of
forgiveness. We are about to learn even
more about him.
This is a
very powerful verse. Let’s consider the
“foundation”. The Bible talks about
Jesus being the rock, Peter being the rock.
Jesus asked his disciples, "Who do people say that I am?" Peter said, "You are the
Christ." Jesus says that upon Peter
and upon his confession, God will build his Kingdom and the gates of hell
itself will not prevail against it. That
is the foundation.
Parenthetically,
we all have a foundation. We all have
those core central beliefs which are essential to our entire being. Every house has a foundation. Every computer program has a base foundation
or a platform. Every philosophy and
mathematical theory has a series of postulates which cannot be debated or
proven or disproved, but must merely be either accepted or rejected.
This man,
Jesus, is the foundation. In the lyric,
this man, this foundation, becomes left--left here on the Earth. He comes here and his words and proclamations
are the foundation which is left to all of us, you and I, in order to create a
spiral aim. You aim something in the
direction you want to go. That's what an
aim is.
The quest for
God is a search which is constant and clear.
Knowledge of God is a pursuit, unending.
It is an aim; it is a focus.
There are essentially two ways of living. One is called deontological living. This is life according to the rules. Do what you are told, tell me how to live,
and I will perform my duty. The other,
teleological living, is life based upon goals.
The end justifies the means. And,
between deontological and teleological living, we find the matrix of human
existence. Sometimes it is good to
follow rules. Sometimes it is good to
have a goal.
As it comes
to the religious life, we must begin by following rules. It is good enough for human beings to simply
obey the law, the civil law and the human law. to respect each other’s rights
and leave people alone, to not steal, not lie, not cheat, not murder. And, if we could have a society based simply
on that pure deontology, we would all be very well off. But, ultimately as following those rules
becomes internalized and we begin to understand that there is a reason for
these rules, then pure deontology becomes transformed into teleology. We begin to seek an end. We begin to have an aim. We have a goal. This is what the Bible talks about when it
talks regarding seeking. You must seek
your goal. Knocking, asking,
persevering, enduring, praying--these are all activities based upon a
goal.
As it
pertains to this third verse, this man is left to create a spiral aim. This man is able to focus us upon the truth,
the highest truth. And yet the key
operative word here is the word “spiral.”
None of us, or at least very, very few of us, ever go straight from
where we are directly to the godhead without taking several detours and
excursions.
All of those
detours and excursions wind up creating essentially a spiral. A good thing about a spiral is that it always
moves in a direction. The spiral is
always moving up. Otherwise, it would
simply be an inclusive circle. In order
for there to be a spiral, there must be a direction, and yet that direction is
not a straight line because none of us, as mortal normal fallible human beings,
are capable of perfectly seeking for God.
God understands that.
So as we seek
for God and we seek our personal fame and fortune, and we toss in a bit of
gluttony and lust and ego and selfishness and sin, the quest for God becomes a
spiral aim. This man is left as the
foundation to create this spiral aim.
In this verse
we see the compression of time. Adam and
Eve in the Garden lived as one with God, without any separation or barriers
whatsoever. This man, who is able to
sense all the themes, enables us to regain this relationship, this movement,
this spiraling. We regain it in that we are
able to return to the source.
But it is
also regarded, in that it is something to be seen. In other words, if we regain the movement, we
are following along its pathway. If we
regard the movement, we are observing it.
The movement,
then, is both subject and object. This
man and Christianity and the religious pathway are both regained and
regarded. It is something that we have
because Jesus is a person whom we must listen to and follow and obey. That is very clear throughout the scriptures. In that respect, His proclamations are truths
which we must have for ourselves. They
have been regained. We have the first
Adam which is Adam, and we have the second Adam, who is Jesus. Then, we are called to Christhood by number
one, regaining Him and following Him, but also by worshipping and acknowledging
Him--regarding Him.
We see here
the potencies of both aspects of religious devotion, to regain and regard, to
find the religious subject and the religious object. And here we know that there is no difference
between worshipping Jesus and doing what He says. The Bible, in fact, happens to agree. "Not everyone who merely says to me,
Lord, Lord, will enter the Kingdom of Heaven, but he who does the will of my
Father who is in Heaven." It is not
merely enough to regard Me and see Me and worship Me and call me Lord, but you
must also regain Me, follow My pathway, take up your cross and follow Me unto
life eternal.
“Seeds of
life” is a glorious beautiful phrase. We
know what seeds are. Seeds from an
orange will deliver an orange tree.
Apple seeds turn into apples.
Mustard seeds turn into mustard.
That's a remarkable thing about seeds.
Here we have
a phrase of such power and beauty and magic.
"...seeds of life.."
Life can never be lived in a vacuum.
Life, if it is true life, is something which we share and commune and
experience with all of our loved ones.
These seeds of life happen with you my friends, my loved ones. It happens with the "you" of this
song. It happens with Jesus.
We then
become complete. We have the streams of
living water; we have the seeds of life; and, we have the movement, which has
been regained and regarded. We are now
all complete in the sight of these seeds of life. It is not merely enough for those seeds to be
there. We must see them. We must turn our eyes to focus not on death,
but on life. Seek ye therefore
life. This is crucial.
So, what do
we see in these first five verses in this first paragraph? A man comes to the earth and is able to
conceive an answer to all the dreams and all the mysteries and all the
questions of life. He holds within his
hand all the flowers and their glorious seeds, and every single moment of his
life senses all of the themes which make life worth living. This man becomes a foundation to focus us to
the truth, return us to God, so that we might not only worship him, but follow
him. And in so doing, we all become
absolutely complete, as we focus ourselves upon the very seeds of life, and all
is one.
This verse
refers to the mystery of the incarnation.
God comes to the Earth as Jesus.
Other religions would say that he has come to the Earth at other times,
but we need not debate that here. God
comes to the Earth in the form of Jesus.
And, He therefore changes Himself.
He changes Himself from His eternal spiritual self, transcendent beyond
all time and all space, and He does this so that we might be able to see Him
and hear Him and walk as one with Him.
The Bible
reiterates over and over the fact that the apostles walked with Him, They talked with Him; they saw Him; they
touched Him; they heard Him. And, what
the writers of the New Testament seek to do is make sure that we too can share
in that experience. So this being, this
man, we now see is nothing more then the infinite godhead, who has changed
himself for purposes of enabling us to see and hear. And, all of space agrees.
“The picture
of time” is a very bizarre phrase.
Suffice it to state that there is great mystery within the universe,
which no mortal mind is capable of unraveling.
That is the mystery of time itself.
The closest we can come to it is to say that time has no reality. Time is merely a part of the delusion because
God and his infinity and his eternity are the only truths.
So this
picture of time refers to the fact that in the previous verse, this being who
has been changed for sight and sound and space, also dwells constantly in all
modes of time, behind and between the picture of time.
The second
half of the verse, "..behind the face of need," is a reference to our
brothers and sisters on this earth.
Jesus walks with us and talks with us in the Bible, and as He does so,
He says whatsoever you do to the least of my brothers you do to Me. When you saw Me hungry and thirsty and naked
and alone, you did not feed Me, give Me water or comfort Me. The disciples say, "When did we see you
this way?" "Whatsoever you did
or did not do to the teeniest tiniest one of those in need you did to
Me."
The people
who suffer in this world are no more nor
no less the picture of time than God Himself is. When we see someone hurting, when we see
someone alone, when we see someone hungry, we are looking at the face of
God.
I'm not going
to pretend that I am a saint, but I do know that for a decade and a half now, I
have been supporting children in India and Indonesia through World Vision. That is, I will freely admit, pathetically
little and merits me absolutely nothing.
But, the simple sad fact is that if every person on this earth who had
enough to eat would share just that little bit with someone else in the world
who did not have enough to eat, there would be no more hunger. That is all that is necessary. That is all we need to know; that is all we
need to do. The reason we have so many
uncountable hundreds of millions of starving dying people on this earth is
because there are so many hundreds of millions of unbelievably selfish people
who will not spare one dollar to help one of those others who so desperately
need it.
We, as a
corporate planet, easily spend $2,000,000 per minute on our militaries and war
machines. If we chose, we could
eliminate all poverty, all hunger, all disease.
These words of this rock `n roll song, if you will simply sit down and
read them and try and understand them, are telling you that this man, who is
sensing all of the themes of life, who has been changed from his eternal
limitless Godhood, simply so that you might see him and sense him and hear him,
is no less present inside of the faces of those people on this earth who are in
need.
Here’s just
one place where you can touch the face of need.
Call World Vision. Call them
now. For $18 a month, my orphaned
daughter in Indonesia receives food and clothes, a Christian education, learns
how to read and write and has all of her material, spiritual and emotionally
needs cared for. That is the face of
need, and that face is sacred.
This is a
reference to the interaction that we, as seekers, have with the proclamation of
the previous seven verses. You see, we
have come to terms with all of these expressions, these statements of God. Notice the different ways so far that, at
least poetically, God has been expressed.
God has been
expressed as an answer to a dream, a flower within which is the seed of life,
all of the musical themes of eternal truth, the foundation of life, a movement
toward the godhead, sights, sounds, space, time and need. We must come to terms with this, and this
song is about doing just that.
In exactly
the same way that “Close to the Edge” is about human beings coming closer to
God, “And You and I” is not about Jesus
in some abstract philosophical way, but rather is a song about you and I coming
to terms with Jesus. That's why it is
important that we do come to terms with all of these expressions which have
been laid in front of us.
To see the
face of God, to hear the truth of God proclaimed, to acknowledge it as such,
and then to turn our eyes on it, as though it is not real, leaves us in a very
dangerous situation. It is not that
often during our lives that we are able to feel the word of God speaking to
us. During those times when we do, when
we have expressed to us the eternal, we must not ignore this. We must heed His voice. I realize that this sounds almost preachy,
but the truth is, the last half of this song is called, "the preacher, the
teacher." We must come to terms,
and quickly so, before the moment passes of all of these expressions which God
has laid in front of us.
This poetic
language is truly gorgeous. In some
respects it's almost a shame this got set to rock `n roll music, because if
anyone in an English poetry Ph.D. class could sit down and simply read these
words, they would be deeply and truly astounded by the depth and value of this
imagery.
What does
this say, "Emotion revealed as the ocean maid." What is the ocean? What is the ocean maid? What is the emotion that is revealed? Does this mean anything at all? Is it anything more than simple gibberish and
garbage, language meant to merely rhyme, simply because it's interesting. If this means anything at all, what does it
actually mean?
In order to
answer that, I think all you'll have to do is follow the imagery, follow the
language of symbolism. What is the
ocean?
Number one,
the ocean is incredibly vast. It is huge
beyond any human being’s conception.
But, it is also the source of life.
Without the ocean, we would have no ability to live, because all of the
plankton which transform carbon dioxide into oxygen, would not exist, and there
would not be enough plants on the earth to enable mammals and the rest of the
primary bio-organisms to live. The ocean
is the source of life for us.
Now, the
ocean maid means that the maid is the ocean.
A maid is what? Someone who
serves, because the ocean is there to serve us and enable us to live. But, also the idea of a maiden is that of
someone who is pure, who is untarnished.
The ocean, even though we have for many years been polluting it and
damaging it, does remain, for the overwhelming majority, a maiden, vast and
unexplored, mysterious and unknowable.
That ocean maid then speaks of the waters of life and endless
beauty. That is the manner in which your
emotion can and will be revealed. Once
you come to terms with all of God's expression, then you will find within you
emotion welling up, the likes of which you will not know how to deal with. You will find yourself dancing in fountains
of bliss, so transcendent that you will feel as though every pore in you body
is ready to explode.
You will want
to shout from all of the roof tops. You
will want to proclaim to every person of the unbelievable glorious perfection
and ecstasy that is existence itself.
Your emotion will, all of the sudden, be revealed as this ocean
maid. You will find, as the Bible says,
streams of living water welling up inside of you, coursing throughout your
being, taking you into the outermost regions of human bliss, vast horizons of
love and joy, welling up inside of you, unlike anything you could possibly
imagine. Once you embrace the
expressions of Godhood around you and begin to taste of their reality, you will
find this ocean of God consciousness flowing all around you.
It is true
that we do not see God. It is not true
that we cannot see him because he is too far away. We cannot see him because he is too
close. He is everywhere, and he is
everything. It's just like a fish in the
ocean, to tie into the imagery of this verse.
Fish swim through the water of the ocean just like you and I walk
through the air, and except for an occasional gust of wind or turbulence, we don't
even notice it. Imagine if that fish
could delight and find unnamable ecstasy in every single water droplet in that
ocean. That's why God cannot be found,
because we constantly overlook Him.
Once we begin
to see that He is in the sunlight, that He is in our dreams, that He is in the
flowers, that He is all seeds of life, that He is within all sight, all sound,
all space--once we begin to see that He is actually in the Bible and behind the
face of every needy human being, then we will begin to come to terms with God's
truth. We will find the infinite ocean
of Godhood flowing through us, and our bodies will begin to tingle with an
unimaginable excitement.
This is a
recapitulation of verse 5. What we have
here then is a rhyming couplet in four verses, followed by a statement. Verse one, “dream,” rhymes with verse two,
“theme.” Verse three, “aim,” rhymes with
verse four, “same.” Verse six, “agreed,”
rhymes with verse seven, “need.” Verse
eight, “laid,” rhymes with verse nine, “maid.”
And after verses four and nine, we know that everything is complete in
the sight of seeds of life with you.
It is now
time to learn a few more lessons.
At this point
in the song, we undergo a very dramatic change.
We have seen a vision in the first two stanzas of this man and his
revelation. Presented opposite to that
is the next section which attempts to paint the picture of some of the
difficulties we have in life. Why do we
need this man anyway? Why do we care
about him and his answers to the dream?
Why does it matter?
We project
and assign value. This is a key
idea. A coin is a measurement of the
human idea of materialistic potential. A
coin is absolutely, totally, utterly dead and, in and of itself, has no fruit,
no life, no worth. What is more, it is
completely and utterly unknowing. A coin
has no consciousness; it has no knowledge; it has nothing; it is nothing.
This is
exactly the same for crosses. We look at
a cross and see truth. Christians see
inspiration and salvation and beauty, but the cross itself is nothing. It is simply through the process of our
projection and our imaging, that that cross becomes valuable or significant. It is only through the purpose which we apply
to it, that the coin becomes valuable.
And they, the coins and the crosses, never know anything. Their worth, whatever it is, is completely
fruitless. It comes strictly from
us. The truth of the universe and the
truth of your life is that nothing outside of you has any value
whatsoever. I will state that again, and
I mean it absolutely. There is nothing
whatsoever outside of you that has any value at all. All value comes from you. Even something or someone as precious as your
spouse or child or parent is important to you, only because of you, not because
of them. This is your projection, your
value system.
What matters
is to understand if something seems unimportant and valueless and purposeless,
it is not because of the outside, it is because of your inside. If something seems evil or wrong, it is not
because of the outside, but because of your inside. Situations can change, but they can only
change by human consciousness transforming their worthlessness into lasting
value.
The Mother
Earth is a very common theme in Jon Anderson's music. He sings in Starship Trooper, “Mother Life
hold firmly onto me.” The Mother Earth
and Father God are the 2 poles of normal existence--the Father God, who sends
the spirit and gives the seed, and Mother Earth, who gives form to it.
Upon death,
Mother Earth swallows our form, as we decay into the dust of the ground, and
Father God takes our spirit. He then is
taking his spirit back. These cords are
not musical chords but cords, the cords that we use to tie, to connect ships to
docks. This is a cord to connect, and we
are being told here that the cords have been broken. We are disconnected. We are no longer associated with Mother
Earth. We are no longer living in
harmony with nature, and these cords which are broken, still lie locked inside
of Mother Earth,. They are there; they
are waiting. She is protecting them, but
we have to be able, willing and ultimately worthy to become reattached.
You see, you
will not be helped until you are ready to be helped. They won't tell you, these cords. They're not going to hide away, but they're
also not going to hold you against your will.
Mother Earth is neither going to remove herself from us, nor is she
going to force us to have a relationship.
It is the same thing with God.
The cords which connect us to God the Father will not be hidden away
from us, because they are plainly apparent for all to see.
They also
won't hold you. You are free to remove
yourself from them. They won't hide;
they will not hold; but, they won't tell you until you ask. If you ask, they will tell you. If you seek, they will show themselves, and
you will find. If you reach out, you
will touch. It is up to you to do the
seeking.
As I've said
many times before in many of my other writings, the truth lies not in having
the groom rape the bride or the bride rape the groom. The two of them must mate in a blissful dance
of love.
Here we're
given a universal perspective. To watch
all of the world, is to see this go on, not just within an individual person,
but within the whole planet, all of the human race, as it reaches out to Mother
Earth, as the human race ignores the bonds it has. As the entire human race breaks the cords of
life, we see that Mother Nature is watching all of us go by. She is watching all the world; she is
watching us; she is waiting. She is
still there; truth remains. It is not
that God or nature have closed their eyes to us. They are watching, very attentively, waiting
for the slightest indication that we are ready to reach out, that we are ready
to listen, that we are ready to seek or touch.
While these
four verses are being sung, in the background and very hard to hear, are other
words being sung. And, unless you have
the lyrics sheet, which I don't believe has been published with the album since
the very early 1970's, you could not possibly know what is being sung in the
background. So here, for those of you
who might be interested, is the background text.
That is one
of the most bizarre passages in all of Yes's literature and it's meaning is so
highly symbolic that I'm not certain I have any genuine feeling for what was
meant. Most of the other lyrics, I
honestly think I interpret fairly closely to what Jon Anderson intended. For this, however, I do not have a clue.
A tailor is a
normal working man. Mornings of the
interest shown could easily be an indication of sunrise, the light coming in,
enlightenment. Interest shown is an
indication that we are showing interest, and therefore when we do, there will be
light, there will be morning, presenting one another to the cord. That, I think, is pretty clear. We must eventually present ourselves to the
cord of life and become reconnected to Mother Earth, and also therefore Parent
God, all left dying, rediscovered of the door.
What we think of as dead, that there is no connection to God, that there
is no way to recapture our lost harmony with nature, simply lies undiscovered,
and we can rediscover it.
That turned
around to close the cover, simply makes no sense at all to me, and I have never
been able to even imagine what that could mean.
All the interest shown, obviously is intentional because it
recapitulates previous words and yet closing the cover, and what interest we
have in it. Inasmuch as I don't know
what the cover is, I cannot help explain the passage.
Turn to one
another, to the sign of the time float your climb. I think float your climb is clear. What we see as a climb, whether it's Mt.
Everest or the Mountain of God, ultimately need not be a struggle. We can float to Heaven. We can float to the highest parts of the
universe. Life need not be a war, but
usually it is. I think that's why these
words are sung so mysteriously in the background, almost inaudibly. Because while we're going through the
struggles with the broken cords, while we're attempting to become reconnected
and trying to do our climb, behind the scenes, there are mornings being shown,
there is interest, and the cords are there to be rediscovered. We can be floated. But, that is so far removed from normal life,
that there is not much reason to talk about it.
You must be
comfortable with the language of symbolism here. The sea is a small ocean. The endless seas would refer to the waters of
life, in which dwells God's healing creative power. We have come from the ocean, in that so much
of our bodies are made of salty type water.
Our moods are affected by the oceans, and the entire symbolism of the
waters of life which come to fill us, gives us a very robust framework to
understand the phrase, the seas. We are,
however, in this verse, climbing over the seas to the valley. The valley is the darkness, the low point,
the sad point. The mountain top
experience is the blessing, because it reaches up into the sky, close to the
Sun where we meet God.
Throughout
the worlds’ religions, God is encountered upon mountain tops. The seas are the oceans of God's bliss and
His blessings. The valleys are the low
points between the sea and the mountain top.
It is beautiful that at the very end of And You and I, we see the exact
opposite of this verse. Verse 15 says
that we're climbing over the seas and going into the valley. We're ignoring the sea and the ocean of God's
blessing. The cords that connect us to
Mother Life. And, we're intentionally
ignoring it all and moving into the valley with our valueless coins, our dead
crosses and our hidden disconnection from God.
We're moving past all the seas of bliss, stopping before we get to the
mountain, and we're just heading to the valley.
In the very
final verse, we have the exact opposite.
You and I called over valleys of endless seas. There, we are being called because we're no
longer worrying about our personal climb, and we're called past valleys of
seas. The sea enters the valley, but we
are getting ahead of ourselves. For
right now, suffice it to say, that verse 15 is a symbolic poetic reference to
what you could call the fall of mankind, ignoring the sea of bliss and moving
into the valley of the shadow of death.
Here, in the
valley of shadow of death, we reach out and seek reasons to call. We begin to ask, “Is there a purpose to
life?” We've seen in the first stanza
this man and his answers to the dreams, but what about us? We're still obsessed with our meaningless
coins and dead wood, all of our projections and our icons. Well, we enter the valley, and we sit and we
reach out and seek for reasons to call to God.
Why should we listen to Mother Nature?
Why should we try to rediscover those lost broken cords? Why do we bother? Why should we bother?
And at this
point, the music changes into this beautifully, gloriously apocalyptic
theme. We start with this beautiful man,
we start with a little taste of what life could be, and we become obsessed with
our own failings. We lose contact with
life, and we wind up in the valley. We
stop, and we call out for reasons to be.
We reach out for the reasons to call.
Climbing, reaching and calling are three essential motifs within this
piece. As we reach out, all of a sudden,
the music changes, and we are answered.
We are responded to.
For it has been said and it is so
true, that every time a person takes one step toward God, God takes 1,000 steps
toward that person. This is absolute
truth. And, musically the cascading
waves of peace and bliss wash down around us.
It has something to say. The
answer is a recapitulation, a reminder.
There's no new material here.
There's simply a repeat of previous verses.
These are verses 8, 9, 4 and
5. What the preacher had said, what the
man has known comes to us in our valley as we reach out for the call to answer
from the heavens if you will, is nothing more than what we've been told before. These four lines are undeniably the four most
important lines in the piece, inasmuch as they are repeated three times.
We crucify
truth. We take Jesus, and we nail him to
the cross. The color door of time is a
magnificent phrase. The cross, without
going into too much detail, is the center of all time. All events of the human race can be seen as
leading up to the event of the cross, and as leading away from the cross.
This door of
time, then, is an open door through which we can crawl or walk, which leads us
to eternity. There is much that can be
learned about ourselves, God, and the universe, through the cross. I will not begin to go into all of it
here. For those of you who are interested,
please read my booklet "The Stations of the
Cross." For purposes of
understanding this song, I think that this is actually a reference back to the
man whom we met in verse 1, Jesus. Here
we have strung Him up on a cross.
This is very
sad. The preacher is the teacher, and he
has tried to help. We go into our
darkness, into our valley in verse 15.
In verse 16, we reach out for reasons.
The answer is nothing more than a reminder of what we were told in
verses 8, 9, 4 and 5. This tends not to
make the masses very happy. They prefer
to have themselves lied to. They prefer
to have someone sell them a magic mood watch.
They prefer to cast about, gazing into tea leaves for signs and
indications of events to come. They
would rather have a magician give them a magic formula that they can chant, so
that when they die, they'll be really okay.
That is why,
after we are reminded of the truth in this song, we go ahead and nail the guy
to a tree. We nail him to a cross.
We have heard
in verse 11 how crosses don't know their fruitless worth, and yet here we see
the cross referred to as the colored door of time. The cross, in and of itself, has no worth,
yet this event, as we crucify truth, is the door to all time and eternity and
is colored with all of the rainbow.
We call him
insane, say that he knows nothing. He is
a blasphemer, he is a mutant, he is a rebel, he is working against the
organized religions. He is working
against the organized government and he is insane. And yet this "insane" teacher is
there still, reminded of the rhyme. He
still sees and knows the truth. The
harmony of all life.
The mutant enemy
is a reference to Jesus, this man who's been strung up on the tree. He is a mutant. He is the enemy we cannot put up with
it. As a social race, we are like a
bunch of pigs grunting in the mud, a bunch of dumb pathetic bleeding sheep
wandering around with no purpose or vision.
But one thing we know, is that we value conformity above all else,
conformity and obedience.
We shall
certify to you that there will be no mutants and there will be no enemies. Anyone who attempts to shake us from our bed
will be likewise nailed.
This is the
promise of the social order. Every new
administration, every new military tyrant, every new despot, promises that all
war is about to be over, that all of politics as a sad remnant of our past is
going to be dead, and that through our leadership, there is a new day. We are told that there is something new,
something better. Of course, it's all a
lie. But, we don't know that. We buy into the lies.
The social
order is telling us to stop thinking.
Delight in conformity. Do as you
are told. These forward tastes will take
care of you. You do not need the
teacher. You do not need the
preacher. You do not need the cord. All you need is us and our new regime, the
end of war, the end of politics, the end of mutant enemies. We are told here in verse 21 to simply reach
out. As these forward tastes, these very
progressive, modern, liberal, socialists enter you, and you can begin to see
the truth, the wisdom, the goodness of following along and being a bleeding
sheep.
So,
poetically, as the “I” of this song, the singer tries it.
The pathway
of politics and socialism is always ultimately dead. It cannot fulfill; it cannot help. The person listens to the message of the
socialists and tries hard, but just cannot see how any of their proclamations
lead to a life tempo inside or outside of himself. Social reform never comes about through
social engineering. The only
transformation there is must come from within.
Unless you transform peoples insides, then no matter what outside
enterprises you engage upon, you will ultimately always wind up with the same
results: wars, hatred, pain, misery and
suffering.
No matter
what you do, no matter how many mutant enemies you kill, no matter how many
non-conformists you eliminate, you will never abolish the sin, pain and
suffering of this life, until people are called to a higher purpose. That higher purpose can never be granted
through the control of government. So,
Jon Anderson is listening, listening hard to the politicians, but there is no
hope. And, then the most dramatic turn
around occurs in the next few verses.
The singer
now recognizes that the preacher, the teacher, whom we've nailed to the cross,
whom we met as the cord of life in the 1st verse, traded his name, lost his
name, did not seek to demand conformity, did not seek to reform the social
order politically. He did not seek to
stamp out all enemies, did not demand acceptance of any of his teachings. This preacher lost his name, was willing to
die, was willing to give up everything for the purpose of what he believed
in.
That becomes
much more significant than all of the politics and all of the screaming and all
of the caterwauling of the socialists.
The teacher
said if anyone comes after Me, let him deny himself, take up his cross and
follow Me. That is what He preached and
that is what He taught. All He did in
traveling was asking to find someone who would join with Him in denying
themselves and crossing the river to losing the name. That becomes the most significant thing.
All the
teacher was doing was losing His name and seeking if there was anyone who was
willing to do that same thing. Finally,
we are told in clear terms that the preacher, the teacher, is so much more
important than government.
The preacher,
the teacher, whom we start off crucifying, we will finally accept in the end,
after we've examined everything else and tried politics and tried coercion and
tried forcing. We will finally agree, we
will finally know and we will immortalize Him.
We will recognize that this insane teacher was telling us infinite
truth--infinite truth which we must make immortal, unable to die, to preserve
for all generations the losing of self, the transcendence of ego. This is, in fact,, the greatest gift. If only it could be more true for more of us,
it would be the end of our struggles, the end of our pain, the end of our
darkness. The ego is not a friend. The ego is the enemy.
He traded in
His name. He lost it. He sought only for others to join Him. Why do you call Me good? There is no one good but God. In the end, we will agree with that. We will accept it, and we will know the truth
of that man was maturing in His eyes. To
look upon the face of the preacher, the teacher, is to look into the face of
God. It is the most egoless statement
that a human being can make to say that I am God. The truth of the man stands immortal, far
more powerful than all of the kings and all of the kingdoms and all of the wars
that have ever been fought throughout all of the years.
That is a
recapitulation of verse 5. Now finally,
the singer is able to join in harmony and joy with the preacher, the
teacher. He knows that he is finally
complete. What the preacher, the
teacher, had to say were the seeds of eternal life. Now the singer has that relationship. He sees that all is complete in the sight of
seeds of life with you.
We then have
a recapitulation of verses 8, 4 and 9.
We now come
to the grand climax of the piece.
Musically speaking, the highest point comes with the following verse.
This needs
little commentary. If you want your
future to be in harmony, if you want your future to have purpose, then you must
follow the teacher, the preacher. As you
do, your mornings, evenings and nights will be with Him, and that will provide
the clarity and the purpose and the focus of your entire life. Apocalypse.
It is interesting that the term "apocalypse" refers to a
revelation, sometimes the end of the world, but it need not be at the end of
the world. It can be at the beginning of
a new cycle. The apocalypse is 4 verses.
We've
transcended the stupidity of politics and socialist transformations. And now, and You and I, Jesus and I climb,
crossing the shapes of the morning, the dawn of the sun in our hearts and
souls. We reach over the sun for the
river--the sun, the source of all light; the river, the source of all
life. This is great glorious
vision. We're moving ever closer towards
the movement, the return of all creation to the God head. You and I call over valleys of endless seas,
all of the valleys which we previously thought were the dark zones between the
ocean and the mountain.
Now are all
transformed, and all valleys are endless seas.
Once you have truly transformed your ego, once you have actually died to
self, you can no longer be hurt, because there is no more you to be hurt. There are no more valleys of death. There are no more shadows of darkness. There is no more fear because all experiences
are part of the seas of infinite bliss.
We do that
through the preacher, the teacher, by accepting, acknowledging and
immortalizing his truth. That is what
this song says to me. What about you?